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Hope Mohr

Visual Art
Performance
Work
Video
Press
New Page
Writing/Public Talks
Shifting Cultural Power: Case Studies and Questions in Performance
Writing & Talks
Blog
Curating
Advocacy
Teaching
Upcoming
About
About
Artist Statement
Collaborators
Institutional Support
Support and Connect
Parker Murphy
August 27, 2018

Choreographic Transmission in an Expanded Field: Reflections on "Ten Artists Respond to Trisha Brown's Locus"

Parker Murphy
August 27, 2018

By Hope Mohr

Reprinted from TDR: The Drama Review 62:2 (T238) Summer 2018. 

Newer PostDancing (In)Equity
Older PostReflections on Julie's Tolentino's 2017-2018 Community Engagement Residency

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Past Blog Posts

Featured
Oct 22, 2021
Marriage of Figure and Ground
Oct 22, 2021
Oct 22, 2021
Oct 22, 2021
Self and System (re-post)
Oct 22, 2021
Oct 22, 2021
Feb 26, 2021
Behind solidarity statements
Feb 26, 2021
Feb 26, 2021
Jan 11, 2021
Reflections on Dance/Life Experience via Power Shift
Jan 11, 2021
Jan 11, 2021
Oct 11, 2020
Life, Storytelling, and Activism As Improvisational Practice: An Interview with Debby Kajiyama & José Navarrete of Naka Dance Theater
Oct 11, 2020
Oct 11, 2020
Oct 5, 2020
"Resistance and Freedom are Two Sides to the Same Coin": A Conversation with Jarrel Phillips about Capoiera
Oct 5, 2020
Oct 5, 2020
Sep 28, 2020
Embodiment, Strategic Movement Building, and Long Range Visioning: An Interview with Aisha Shillingford
Sep 28, 2020
Sep 28, 2020
Sep 23, 2020
On Embodied Feeling, Intentionality, and Decolonizing Movement
Sep 23, 2020
Sep 23, 2020
Jul 15, 2020
Taking Action toward Distributed Leadership
Jul 15, 2020
Jul 15, 2020
Jul 8, 2020
Some Notes on “Stepping Back”
Jul 8, 2020
Jul 8, 2020
Apr 28, 2020
moving toward distributed leadership
Apr 28, 2020
Apr 28, 2020
Apr 15, 2020
notes on a cancelled dance
Apr 15, 2020
Apr 15, 2020
Mar 26, 2020
Letter to the Izzies
Mar 26, 2020
Mar 26, 2020
Nov 17, 2019
Aesthetic Equity Workshop with Liz Lerman and Paloma McGregor
Nov 17, 2019
Nov 17, 2019
Oct 5, 2019
Race, Aesthetics, and Working in Community: From "Dancing Around Race" to "LatinXtensions" 
Oct 5, 2019
Oct 5, 2019
Mar 27, 2019
Dancing Around Race Community Reader
Mar 27, 2019
Mar 27, 2019
Mar 1, 2019
Dancing Around Race Zine
Mar 1, 2019
Mar 1, 2019
Jan 17, 2019
Dance writing around race
Jan 17, 2019
Jan 17, 2019
Oct 5, 2018
Building Accountability in the Dance Field: An Interview with Michèle Steinwald
Oct 5, 2018
Oct 5, 2018
Sep 28, 2018
Freeing Craft
Sep 28, 2018
Sep 28, 2018
Sep 12, 2018
Dancing (In)Equity
Sep 12, 2018
Sep 12, 2018
Aug 27, 2018
Choreographic Transmission in an Expanded Field: Reflections on "Ten Artists Respond to Trisha Brown's Locus"
Aug 27, 2018
Aug 27, 2018
Apr 1, 2018
Reflections on Julie's Tolentino's 2017-2018 Community Engagement Residency
Apr 1, 2018
Apr 1, 2018
Mar 11, 2018
About Practice: Liam Everett and Hope Mohr in Conversation
Mar 11, 2018
Mar 11, 2018
Sep 28, 2017
What does it mean to have a radical body?
Sep 28, 2017
Sep 28, 2017
Sep 20, 2017
Comments introducing In the Steps of Trisha Brown at YBCA
Sep 20, 2017
Sep 20, 2017
Sep 20, 2017
Questions about artmaking and motherhood
Sep 20, 2017
Sep 20, 2017
May 18, 2017
Precarious
May 18, 2017
May 18, 2017
May 18, 2017
choreographic confessions
May 18, 2017
May 18, 2017
Nov 28, 2016
From Movement to Sound: Composer Cheryl Leonard responds to Trisha Brown
Nov 28, 2016
Nov 28, 2016

Audience Readers

Power Shift Reader
Dancing Around Race Reader
Radical Movements Reader
Signals from the West Reader

published writing by Hope Mohr

Self and System, SFMOMA’Ss Open Space (October 2019)

Choreographic Transmission in an Expanded Field: Reflections on Ten Artists Respond to Trisha Brown's Locus, TDR/The Drama Review (2018)

About Practice: A Conversation between Liam Everett and Hope Mohr, Liam Everett: Without An Audience (Altman Siegel 2018)

Framing Feeling: BodyCartography Triptych, SFMOMA's Open Space (March 26, 2018) (originally commissioned by SFMOMA's Open Space)

The Language of the Listening Body, Women & Performance: a journal of feminist theory (July 2007)  
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